This research programme is undertaken in partnership with the following institutions:
This program aims at a comparative study of Jewish, Christian and Muslim spiritualities grounded on themes they are sharing out.
Comparative approach requiring coherence and diversity, our research is spatially and temporally bounded to Egypt and Bilâd al-Shams and to the 7th-16th century period, from the emergence of Islam until the beginning of Ottoman dynasty. Owing to the regional multicultural and multilinguistic background it is proper to take into account corpus belonging to various languages, such as Arabic, Syriac, Greek, Coptic, Hebrew, Judaeo-Arabic ones, etc.
Regarded as the quest and fulfilment of a direct and personal relation with Divine, mysticism is a complex phenomenon, as much intimately experienced as collectively carried out, as much out-of-time as historically defined.
This complexity has to do, on one hand with the significance of a vivid experience, unutterable and out of reach of any historical investigation and, on the other hand with its “public” range when delivered by the mystic himself, using to frame it out, worldly representations particular to his community’s religious and linguistic traditions.
Thus, either individual or collective, mystical experience can give birth to genuine trends and is confronted with and influenced by already existing and well-established religious tendencies resulting themselves from previous developments.
Perceptible under all latitudes and at all times, mystical currents, like their interpretation and manifestation, are historically determined. The part they play exceeds the mere frame of faith when they rise among religious groups and societies provided with traditions specific to their coexisting communities. They turn into potential factors for the renewing of ethical and religious ideas, of worshipping practices, of language, of social relationships.
Those elements are ascertaining the interest of a research on mystical experiences and trends which came out within the three monotheisms at Middle Ages, as well as on situations of contact between individuals and religious communities in multicultural societies and this with reference to documentary sources.
Comparatist approach will be applied to the above-defined frame and to mystical phenomena in its numerous aspects (individual patterns, social practices, doctrinal components, institutions, literary production, consequences on actors and surroundings). It will also help showing off several forms of adjustment going with mysticism (links with official religion, inter-communities relations, perception of common historical events, etc), in a context of multireligious and multicultural society, paying specific attention to contact cases and to cross-cultural phenomena.
This programme will run over a four-year period (2008-2011). It has been spilt into three steps.
The aim of comparison meets an answer in the set of common themes which means to provide criteria of analysis shared by the three religions. The proposal of a single set of themes for scholars in different specializations, far from intending to restrict their freedom, seeks
1) to determine the constitutive features of mystical phenomena (ideas, practices, historical situations of religious communities, as well its relations with society as a whole)
2) to underline transversal themes likely to comparison.
This method already taken up for a similar comparative study of Muslim towns, under Jean-Claude Garcin’s direction, has brought about decisive results and appears has a prompting reference. Truly, while dealing separately each issue in order to initiate comparison on precise aspects, its does not impede bringing together various themes nor paving the way for wider considerations.
Let’s note, finally, that additional themes, specific to one of the three religions or deemed as worth of interest will be introduced on the request of participants.
1. Collective practices and individual experiences
1.1 Practices
1.2 Experience of divine
1.3 Mysticism and ways of life
2 Doctrines and literary production
2.1 Doctrines
2.2 Literary productions
3 Social and institutional background
3.1 Mysticism and society
3.2 Mysticism and institutions